Hey! Manchester promotes gigs by folk, Americana and experimental bands from around the world in Manchester, England. Read more here, see below for our latest shows, check out our previous shows, contact us, or join our mailing list, above.

Upcoming shows: The Ocelots... Sean Rowe... Jim Ghedi... Fionn Regan... The Weather Station... Martin Kohlstedt... The Loft... Beans on Toast... Joshua Burnside... Easter... Nadia Reid... Danny & the Champions of the World... Ruth Lyon... The Delines... Helena Deland... Chris Brain... Index for Working Musik... Heather Nova... Bay Bryan... Mark Eitzel... Ryan Davis & The Roadhouse Band... Jeffrey Martin... Austin Stambaugh... Sounds From The Other City 2025... Federico Albanese... Amelia Coburn... Hayden Thorpe & Propellor Ensemble... Jerron Paxton... Lauren Housley & The Northern Cowboys... Toria Wooff... Sam Amidon... Throwing Muses... Shotgun Jimmie... Jenny Don’t and the Spurs... Lael Neale... Adam Hopper & The Wimps... Niamh Regan... Basia Bulat... AVAWAVES... Will Stratton... Joshua Burnside... Ye Vagabonds... Robert Forster... Lilly Hiatt... Albertine Sarges... Jamie Duffy... Willy Mason... BC Camplight...

When: 7pm on Thursday 29 May 2025
Where: YES Basement, 38 Charles Street, Manchester, M1 7DB

We’re delighted to be working with Lael Neale again!

Lael Neale’s minimalist drone pop draws inspiration from the Transcendentalists, the alienation of modern life, and a rich array of musical influences – ranging from Dionne Warwick and John Lennon to primitive American gospel and Spacemen 3.

Her expansive new record, Altogether Stranger, was written and recorded in the early morning quiet of Los Angeles. Clocking in at just 32 minutes, the nine-song LP covers an unexpected breadth of musical and lyrical terrain – from garage rock nursery rhymes and creation myths to Motorik dance dirges and solitary Omnichord meditations.

A brilliant lyricist, Neale has a unique ability to uncover the extraordinary within the mundane, tackling themes of polarity that recur throughout her work – country vs. city, humanity vs. technology, isolation vs. society. This album is her third collaboration with producer Guy Blakeslee who helps expand the tonal palette while staying true to Neale’s commitment to the raw immediacy and hand-made intimacy of home recording.

‘A unique, boldly weird proposition, and one that proudly carries the faint hint of tractor grease. Half of it comes on like cult 70s folk artist Karen Dalton hanging out with the Velvet Underground and Suicide, while the rest offers somewhat more modern balladry, placing her more in the world of Angel Olsen and Cat Power‘ – the Guardian

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All shows are 18+ unless otherwise stated.