Hey! Manchester promotes gigs by folk, Americana and experimental bands from around the world in Manchester, England. Read more here, see below for our latest shows, check out our previous shows, contact us, or join our mailing list, above.

Upcoming shows: Index for Working Musik... Heather Nova... Bay Bryan... Mark Eitzel... Ryan Davis & The Roadhouse Band... Jeffrey Martin... Austin Stambaugh... Sounds From The Other City 2025... Federico Albanese... Amelia Coburn... Hayden Thorpe & Propellor Ensemble... Jerron Paxton... Lauren Housley & The Northern Cowboys... Toria Wooff... Sam Amidon... Throwing Muses... Shotgun Jimmie... Jenny Don’t and the Spurs... Lael Neale... Adam Hopper & The Wimps... Niamh Regan... Basia Bulat... AVAWAVES... Nick Shoulders... Will Stratton... Joshua Burnside... Lily Seabird... The Burning Hell... Bremer/McCoy... Blue Bendy... James Yorkston & Nina Persson... Ye Vagabonds... Grant-Lee Phillips... Allo Darlin’... Robert Forster... Lilly Hiatt... Albertine Sarges... Jamie Duffy... Joep Beving... Willy Mason... BC Camplight... Jim Moray...

When: 7pm on Saturday 13 September 2025
Where: Low Four Studio, Deansgate Mews, Great Northern, Manchester M3 4EN

We’re delighted to present the Manchester debut by Danish duo Bremer/McCoy!

With 400,000 monthly listeners, Bremer/McCoy have, against all odds, created their own subdued cosmos in a noisy era. Appropriately, Kosmos is the title of the duo’s sixth album. Here, they aim to convey a worldview rooted in deep connectedness and a sense of freedom. The raw material includes tracks that have been simmering for 15 years, alongside pieces that emerged in an intense moment within 15 minutes.

Kosmos is a statement without exclamation marks or large fonts. It’s the attempt of two Danish musicians to capture the world they stand for – and wish to share with others. The album represents a worldview, and in Bremer/McCoy’s cosmos, we can meet each other without words.

‘Humans have always played music. We’ve sat around fires and sung. We’ve danced. When we play together or listen together, we communicate wordlessly. And right now, it’s important to remember to communicate, as many feel we are in tough times. What we represent is an apolitical communication. One of my biggest concerns is division. The fact that people’s political stances prevent them from talking to each other, despite so much common ground. Everyone enjoys a walk in the forest, and I believe everyone feels a fundamental joy and peace when experiencing something beautiful being created,’ says Morten McCoy.

At the group’s concerts, this intimate and immediate atmosphere arises. The starting point for Kosmos was to capture the emotions from their concerts on record. Hence, they approached the initial studio session as if they were performing a concert and began improvising. Their improvisation style is unique: they don’t improvise solos but songs. They don’t riff aimlessly but delve into a story. They don’t know what story they’ll tell when they start, but they discover it together.

They share a common background and have known each other since Ryvangen Lilleskole. Yet, they are two men living very different lives today—Morten McCoy lives in a commune on a farm with his wife and children, while Jonathan Bremer leads a fast-paced city life. In music, however, they always find each other because they can be fully present together.

‘We are very flow-oriented. One must be careful not to try to force too much into the music or have a plan for what one wants. Only when you remove all ego is there room for what needs to happen. If a musician thinks, ‘This and that should happen now,’ they stand outside the music. We want to play as if we are merely listening to the music as it arises. That is ultimate freedom,’ says Jonathan Bremer.

This approach is clearer on this album than any of their previous ones. For instance, the first single Higher Road was made in a single take, with both instruments and effects applied in the moment. The tracks contain themes of meditation, prayer, gratitude, and a quiet optimism on behalf of all of us. A song like the single Alting løser sig (Everything Will Work Out) is so named because they had a loose idea and began playing to see what would happen. Out came a song fitting for the duo’s cosmos, dealing with the notion that fear is a poor driving force; instead, one should try to trust that things will be okay. Hvor du er (Where You Are) came about because they were in the studio with Hans Philip long ago, where he put random words together as they played. Among them was ‘indtil, hvor du er’ (‘until, where you are’), which became the starting point for a separate Bremer/McCoy track. Ideas and melody fragments can need ‘to marinate for 10 years,’ as Jonathan Bremer puts it. Bøn (Prayer) comes from that pool. It is lifted from a theme the duo often played live but never managed to weave into an album. But when Jonathan Bremer played a bass ostinato, everything fell into place. As things tend to do when Bremer/McCoy put themselves and their listeners in a trance-like state.

Bremer/McCoy will follow up Kosmos with a series of concerts in the country’s largest cities this fall. The tour concludes with three concerts in the Conservatory Concert Hall in Copenhagen. In between, there is also a Scandinavian tour, where the duo will visit both Sweden and Norway. Additionally, a tour in Central Europe is expected in 2025.

This show takes place at Low Four – a recording studio situated on Deansgate Mews in the Great Northern warehouse. This intimate venue features a fully stocked Cloudwater bar.

This is a 14+ show. Under 16s must be accompanied by an adult.

Tickets go on sale at 11am on Wednesday 16 April via Seetickets.com

Attend on: Facebook



All shows are 18+ unless otherwise stated.